Artizon Museum: Sophie Taeuber-Arp and Jean Arp, Hazama Inosuke, and More

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Artizon Museum, successor to the former Bridgestone Museum of Art, carries a rich legacy the heart of Tokyo’s Kyobashi district.

Established by the Ishibashi Foundation, the museum was reimagined and reopened in 2020 with a fresh vision to create a space that not only houses an impressive collection but also fosters creativity and cultural exchange.

The name “Artizon” blends “art” and “horizon,” symbolising the museum’s mission to broaden the boundaries of artistic expression and inspire new perspectives. Its history is deeply intertwined with the Bridgestone Corporation’s commitment to art and culture, dating back to the early twentieth century. Today, Artizon Museum stands as a modern beacon of innovation and accessibility, dedicated to supporting creativity through thoughtfully curated exhibitions and a welcoming architectural design that invites visitors to experience art in dynamic, immersive ways.

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Visiting Artizon Museum is like stepping into a thoughtfully crafted oasis of creativity. The museum is more than a mere repository for art—it’s a living, breathing space where architecture and artistic vision intertwine to inspire reflection and innovation. The very design of the building signals a fresh approach to the museum experience: clean, modern lines harmonise beautifully with warm, inviting materials, creating a space that feels simultaneously grand and intimate. Unlike many contemporary museums that sometimes feel imposing or cold, Artizon perfectly balances sophistication and accessibility. The natural light streaming through expansive windows gently illuminates the galleries, enhancing the colours and textures of the works on display, while the spacious layout encourages slow, deliberate exploration. This museum is designed to showcase art and expand visitors' creative horizons by encouraging interaction through seeing, feeling, and understanding. Walking through its halls, I was swept up in a sense of calm curiosity, compelled to linger and absorb the nuances of each piece in an atmosphere that felt simultaneously serene and electric with possibility.

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Sophie Taeuber-Arp and Jean Arp

1 March - 1 June, 2025

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One of the most captivating exhibitions on view at Artizon Museum was the one dedicated to Sophie Taeuber-Arp and Jean Arp—two towering figures of twentieth-century art whose personal and professional partnership produced a remarkable synergy of innovation and creativity. Sophie Taeuber-Arp’s artistic journey began in the disciplined world of textile design, but her restless creativity propelled her far beyond that, into the realms of geometric abstraction and spatial design. Her work is characterised by a meticulous exploration of form and colour, often blurring the lines between craft and fine art. Jean Arp, her husband, was a poet and a visual artist, known for embracing chance and spontaneity in his collages and relief sculptures. The exhibition at Artizon beautifully presents their individual oeuvres and the creative interplay that defined their partnership. They influenced each other profoundly, with their works conversing across styles and media, from Sophie’s precise, structured forms to Jean’s organic, fluid shapes. This dual narrative enriches the visitor’s experience, revealing how two distinct artistic voices can merge into a harmonious dialogue that challenges and expands traditional boundaries. The show is enhanced by loans from prestigious collections like the Fondation Arp in France and Stiftung Arp in Germany, which brings rare and significant works to Tokyo, making it a unique opportunity to explore this artistic couple’s legacy in depth.

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Jean ARP

7 Arpaden: Arp Album (Merz, no. 5)

1923, Lithograph Cover: Torn printed papers pasted on cardboard

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Jean ARP

Oriflamme Wheel

1962, Duralumin

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Jean ARP

Daphne

1955, Bronze

Jean ARP

Shell-Hat

1965, Marble

This exhibition was particularly compelling because it captures the zeitgeist of early twentieth-century avant-garde movements while offering fresh insights into the artists’ relationship. Their work embodies the spirit of Dadaism and Surrealism, yet a timeless quality speaks to contemporary audiences. I was drawn to how Sophie’s geometric abstractions feel rigorous and playful, a testament to her deep understanding of colour theory and design principles. Meanwhile, Jean’s compositions, often inspired by found forms and natural shapes, bring an organic unpredictability that balances her precision. Together, their art feels like a dance between order and chaos, intellect and intuition.

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Sophie TAEUBER-ARP

Elementary Forms in Vertical-Horizontal Composition

1917, Gouache and pencil on paper

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Sophie TAEUBER-ARP

Abstract Motif (Knights). Vertical-Horizontal Composition

1917, Gouache and pencil on paper,

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Sophie TAEUBER-ARP

Composition with Abstract Motifs (Notebook Cover)

c. 1917–18, Bead embroidery on linen

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Sophie TAEUBER-ARP

Relief Cell (rectangular, geometric elements)

1936, Oil on wood

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Sophie TAEUBER-ARP

Four spaces with broken crosses

1932, Gouache on paper

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Sophie TAEUBER-ARP

Composition with angular circles with arms in lines and planes

1930, Oil over preliminary drawing in pencil on canvas

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Sophie TAEUBER-ARP

Summer lines

1942, Oil and mixed technique on card

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Jean ARP

Painting in Common

probably around 1950, Oil on canvas

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Jean ARP

Duo-Painting

probably around 1950, Oil on canvas

 

HAZAMA Inosuke

1 March - 1 June, 2025

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Just a floor below, the retrospective on HAZAMA Inosuke offers a fascinating complementary perspective, focusing on an artist whose life and work embody the cross-cultural currents that have shaped modern Japanese art. Hazama Inosuke was born in Tokyo in 1895 and quickly emerged in early twentieth-century Japan's progressive Western-style painting circles. His two extended stays profoundly influenced his artistic trajectory in France, where he absorbed the lessons of European modernism and established a close relationship with Henri Matisse. This connection would prove pivotal, as Hazama later played a crucial role in introducing Matisse’s work to Japan, helping to organise the artist’s first retrospective in Tokyo in 1951. The exhibition captures this rich narrative with around sixty works, including oil paintings, prints, and ceramics, supplemented by related pieces from the Artizon Museum’s Western art collection.

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HAZAMA Inosuke

Overglaze Design on a Large Kutani Dish: Quarry in Torigoe-mura

1975, Porcelain

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Hazama’s work strikes a delicate balance between Eastern and Western traditions, reflecting a restless curiosity and versatility that kept evolving throughout his career. Early on, he was recognised for his sensitive landscapes and figurative works, which bear the imprint of European post-impressionism and Fauvism. His later shift toward ceramics reveals an artist unafraid to explore new mediums, infusing traditional Japanese craft with a modernist sensibility. What I found particularly moving about this exhibition was the story of his resilience: his studio in Tokyo was destroyed during the devastating firebombing in World War II, yet he persevered, continuing to create and teach. His journey is a testament to the enduring power of art as a form of cultural dialogue and personal expression. Visitors can trace the path of an artist who bridged continents and eras through his paintings and ceramics, enriching Japanese art with global perspectives while remaining deeply rooted in his heritage.

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HAZAMA Inosuke

View from a Room (Balcony in the South of France)

1935, Oil on canvas

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HAZAMA Inosuke

Montagne Sainte-Victoire

c. 1925, Oil on canvas

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HAZAMA Inosuke

Eustoma Flowers

1963, Oil on canvas

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HAZAMA Inosuke

Under Lamplight

1941, Oil on canvas

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HAZAMA Inosuke

Cornflowers

1940, Oil on canvas

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HAZAMA Inosuke

Angora Sweater

1949, Oil on canvas

 

The Ishibashi Foundation Collection Highlights

1 March - 21 September, 2025

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Constantin BRANCUSI

The Kiss

1907-10, Plaster

On the museum’s fourth floor, the Ishibashi Foundation Collection Highlights exhibition offers another dimension to the Artizon experience. This carefully curated showcase presents masterpieces from the museum’s extensive collection, spanning nineteenth- and twentieth-century Western art alongside Japanese modern and contemporary works. It’s a sweeping narrative of artistic evolution, from the impressionist brushstrokes of Alfred Sisley’s “June Morning in Saint-Mammès” to Claude Monet’s luminous “Water Lily Pond” and Paul Klee’s whimsical abstractions. These Western icons are juxtaposed with significant pieces by Japanese artists like KOGA Harue, whose 1929 painting “Birdcage” offers a fascinating dialogue with the European works on view.

This exhibition is so enriching because it reveals the interconnectedness of global art histories. The Ishibashi Foundation Collection is not just a display of aesthetic masterpieces; it’s a living archive of cultural exchange and artistic innovation. Walking through this gallery, I was struck by the seamless conversation between East and West, tradition and modernity, impressionism and abstraction. The museum’s dedication to rotating exhibits ensures that there’s always something new to discover, while the careful attention to lighting and space makes each piece feel intimate and alive. For art lovers, this exhibition is a beautiful reminder of how art transcends borders and time, connecting us all through shared human experience.

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Marie LAURENCIN

Two Young Girls

1923, Oil on canvas

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Pierre-Auguste RENOIR

Mlle Georgette Charpentier Seated

1876, Oil on canvas

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Maurice de VLAMINCK

Symphony in Colours (Flowers)

c. 1905-06, Oil on canvas

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SHIRAGA Kazuo

Konto

1990, Oil on canvas

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KUSAMA Yayoi

Untitled (Infinity Nets)

c. 1962, Oil on canvas

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TANAKA Atsuko

Untitled

1965, Vinyl paint on canvas

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ZAO Wou-Ki

Landscape 2004

2004, Oil on canvas

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ZAO Wou-Ki

07.06.85

1985, Oil on canvas

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Joan MITCHELL

Blue Michigan

c. 1961, Oil on canvas

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MOTONAGA Sadamasa

Untitled

1965, Oil paint and synthetic resin paint on canvas, mounted on board

 
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Thoughts

Reflecting on my visit to the Artizon Museum, I’m struck by how the building and its exhibitions create an immersive celebration of creativity. The architecture encourages a slower pace, a more mindful engagement with art that feels increasingly rare in our fast-moving world. Each exhibition I explored revealed different facets of artistic expression—from the geometric precision and poetic collaboration of Sophie Taeuber-Arp and Jean Arp, to the cross-cultural resilience and innovation of Hazama Inosuke, to the global dialogues embodied in the Ishibashi Foundation’s masterpieces, with the museum’s thoughtful curation and design transforming it from a simple viewing space into a creative catalyst. Whether you’re a seasoned art aficionado or a curious traveller looking to uncover new inspirations, Artizon’s blend of innovative architecture and world-class exhibitions will enrich and uplift you. Visiting here reminded me why museums are vital—not merely as guardians of the past but as vibrant spaces that nurture new ideas and fresh perspectives. In a city that never sleeps, Artizon Museum offers a much-needed pause, where art and architecture come alive in perfect harmony to awaken the imagination.

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Carmen Ho

Carmen started the blog as a place to encourage slow travel by storytelling her travel experiences. When she’s not at her desk, she divides her time between exploring the city she calls home and planning her next outing.

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